Tuesday, 21 April 2015

Join us in Wonderful Wenlock: We're Publisher in Residence!

This weekend will be a very busy one for Nine Arches Press - not only will we be launching two superb collections in the form of Jo Bell's Kith and Robert Peake's The Knowledge at Wenlock Poetry Festival, we will also be their Publisher in Residence.





What does this mean, I hear you ask? Well, we're the first publishers ever to take up this role at Wenlock, and it's possibly the first 'official' publisher residency of its kind at a UK Poetry Festival as far as I can tell. The idea in essence is that I will be transplanting the Nine Arches 'office' from its usual home in Warwickshire and taking it with me to the Edge Arts Centre in Wenlock especially for the festival, from Saturday morning through to Sunday afternoon.

If you come along, you'll find me at my desk, not only surrounded by my in-tray, copious cups of coffee, a well-filled biscuit tin and a fair few manuscripts, but also by several poets. The idea is to give festival goers a real insight into a day-in-the-life of a independent publisher like myself, and a unique chance to find out what goes on behind the scenes to make new poetry books happen.

Throughout the weekend, Nine Arches Press poets will be dropping in to, and we'll be live-editing poetry collections, talking about their books and how they came to be, and even sharing a few readings. I'm delighted that I'll be joined by David Hart, Myra Connell, Josh Ekroy and Bobby Parker - I hope you'll come by and take a moment to join us and see what we're up to and eavesdrop on some of our conversations!



Full listings of the Nine Arches Publisher Residency, and timings:



Saturday 25th April

11.00am/ 11.20 / 11.40 Poetry Surgery slots
The slots are ticketed and need to be booked via the Box Office.

12.00noon-1.00pm Live editing & in conversation with… David Hart

1.30pm / 1.50 / 2.10 Poetry Surgery slots
The slots are ticketed and need to be booked via the Box Office.

2.40 -3.40pm Live editing & in conversation with… Myra Connell

These drop in sessions are free and open to all, but will be subject to space and popularity. Please be aware that seating may be limited.

4.00pm Short reading: David Hart and Myra Connell


EVENING:5.30 – 6.45pm - You are invited to:




click for full information (booking advised!)


Sunday 26th April


11.00am – 12.00 noon Reveal: the Art of Editing Poetry
Simon Thirsk of Bloodaxe Books invites Nine Arches’ editor Jane Commane with poets Jo Bell and Robert Peake to talk about what goes on behind the scenes of a poetry book. In the digital age, why does good editing still matter, and what’s the value of the poet-editor relationship? Discover how the poets have found the process of editing and putting their poems together – which poems went it and which were cut? Where here any heart-wrenching choices or roads-less- travelled to take? Explore editing as an art, with a frank discussion of the highs and lows, and maybe the occasional typo...
Booking advised! more info: Sun 26th April - Reveal: The Art of Editing Poetry


1.00pm – 2.00pm Live editing and in conversation with… Josh Ekroy

2.00pm / 2.20 / 2.40 Poetry Surgery Slots
The slots are ticketed and need to be booked via the Box Office.

3.00 -4.00pm in conversation with… Bobby Parker

4.00pm Short Reading: Bobby Parker and Josh Ekroy



Click here to browse the full festival programme and see what else is on at Wenlock Poetry Festival.


Click here to also browse Nine Arches Press events at Cheltenham Poetry Festival


I'm also inviting you, festival-goer or not, to join in with the interactive nature of the residency. So, is there a question about poetry publishing you've always wanted to ask an editor? If so, this is your big chance... Tweet your questions to me and use the hashtag #AskNineArches and I will collate these queries and tweet and showcase the Q&As throughout my residency. It can be a question about getting published, submitting poetry, or how we choose what to publish - anything you've always wanted to know but never had the chance to ask...

I will also be offering some poetry surgery slots throughout the festival. These are limited and must be booked in advance, but are a great opportunity to bring a long a poem that you'd like feedback on or to ask for some advice on publishing. These slots can be booked here - and you can also read here about how the Emergency poet soothes our pre-festival panic and nerves with a perfect poetry prescription!


So, here's to springtime sunshine on the hills of Shropshire this weekend, hope to see you there!


Thursday, 2 April 2015

Jo Bell on Kith

In our latest blog post, Jo Bell tells us a bit more about what's behind the title of her second collection of poems.





Someone asked me once what my favourite word was. Perhaps we should all be grateful that I passed over my usual favourite, schadenfreude, and settled instead on kith.

It came unbidden, and it hasn’t left my mind since. I liked the sound of it. It felt old, and northern-English, and simple in the way that a penknife or a wooden spoon is simple. The word became a prism through which to see the world – or rather, it was the prism through which I had always seen the world, before I knew what to call it.

Who knows you; who are your fellow travellers? Your partner, your ex-partner, your oldest friends – these people know an unvarnished, warts-and-all version. But our impact on one another’s lives is not in proportion to the time we spend together. Holiday friends, one-night stands, hated colleagues, a stranger who shared a moment of drama; these can know you deeply. Likewise those who share your race, your politics, your passion for stamp collecting or transvestism. I once spent an hour speaking with a counsellor who seemed to understand me completely, and left the room with a different life ahead of me. Yet a sexual partner, who knows you so well in some ways, may understand you very little in others.

Once the title fell into place, I realised that most of my poems are an exploration of it. In Raising the roof for Kirsty, old friends enjoy a moment of silliness and companionship. In Worship, ill-matched lovers seize a moment of trespass and sexual connection. In Silbury Hill or A Nightingale for Gilbert Smith there is a fellowship with the dead, who inhabited the same landscape as us and knew things which we have to relearn (my dead, of course, are Northern and stroppy with it, as are many of my living). In Society of Friends, a woman I never even spoke to passes on an illuminating thought. In Lifted and other poems of the canal, I try to explain the relationship of boat dwellers to their watery environment – where, as we say, the only rule of the river is that the river rules. I write often about sexual partners; how we please and disappoint, how we try to know each other. Even if we fail, there’s honour and generosity in the attempt.


All the poems of Kith are an acknowledgement that wherever you’re going, you aren’t travelling there alone. Our relationships with one another are not always easy or clear but they are inevitable, ragged, glorious in their variety; an essential condition of travelling at all.  




Kith is published on April the 14th and will have launches at Wenlock Poetry Festival, Cheltenham Poetry Festival, and on a boat in Birmingham. 



Tuesday, 17 March 2015

Featured Poems: Robert Peake



Photograph: Valerie Kampmeier

Robert Peake is a British-American poet living near London. His previous publication was a pamphlet, The Silence Teacher (Poetry Salzburg, 2013) and his previous short collection Human Shade was included in New Poets | Short Books, Vol. V (Lost Horse Press, 2011). His first full-length collection The Knowledge is forthcoming April 2015 from Nine Arches Press and can pre-ordered here.



Robin from Robert Peake on Vimeo.


Robin


Bold and tattered, slashing into view,
tiny courtier teeming with invidious mites,

we welcome you at the waterspout, bent sprig,
weaving a maypole out of long oat grass.

You wear a red-crossed breast, poor Templar,
far from healthy with your half-feathered head,

blandishing the cold-snapped air, informing
and interpreting the seasons like a wild-eyed monk.

You preach through the frost and meandering drizzle,
moot points of theology and tactics with squirrels,

piecemeal captain of our sinking green ship,
perched like Nelson at the tallest crow’s nest.

Guide us, our skipper, bard and troubadour, into
the winter you know will be your last.


First published in London Grip





Last Gasp

December 30th, 2006


The scorpion is an opportunist for sure.
For days he waits in a desert hole,
the heat driving his prey toward the shade.

Once, a deposed tyrant hid in a hole,
breathing dust and ash, unable to stand.
When we found him, we hanged him.

The lungs balloon and drain
eighteen thousand times per day.
One day the alveoli all flash shut together.

One man’s last breath is Baghdad city air.
Another drowns on his feet in chlorine gas.
Desdemona breathed the perfume of her bedclothes.

There are mothball-scented chambers in a life,
dark places moonlight cannot light up blue—
a held breath that the breather knows is final.

Dare we mention the soft grasses
growing, somehow, underneath a stone?
They, too, must have known the sunlight once.

A salt stain bleaches the pillow cover.
Who can tell if it was tears, saliva, or sweat?
Only that the head was wanting rest,

only that the fluids of the human animal
cannot be contained in sleep, in love, in death.
Some call the incognito intimate.

The chambers of our secrecy are vast.
While sleeping in his hole, our tyrant dreamt
of the high, gilded ceilings of his ballrooms.

More intricate than Arabesque tile,
the workings of a mind in flight, glimmering
and expansive, as a polished marble floor.

First published in Human Shade




La Campagna, London, Friday Night


This is not your nan’s Sunday dinner, a fish-and-chippy
or Chinese buffet. Tonight, this is Italy, no haggis
here, no bottled beers, just pasta, fresh, tailor-made.

The waiter gooses the posterior of the brawny
man in the scullery, then inverts his frown, glides
over to the long table of single women, and flirts.

At first, you think, he hears the clink of coins
on his silver tip plate. But their laughter opens
his face like a daffodil, peeling back the outer petals

to reveal the golden middle of a man surrounded by nieces
and sisters, their heartaches, children, and deadbeat men.
He recommends the right rosé to wash it all away

and they comply with his performance, casting their eyes
over his handsome face and fit physique, investors
in a scheme that yields only the thrill of investing.

But isn’t this happiness? William Blake would whisper
in each ear an accolade for joy caught on the wing
and when they are at home, curling the stockings

from their legs, a little drunk, and over-full,
their smiles that say could have been and you
never know will smile on them again, shaking out

their hairpins, clink, on the makeup mirror,
a sound our Romeo won’t know or hear, scrubbing
the stubborn Bolognese from his stiff apron,

sliding the tongue of the register back into place,
the backstage routine always tinged with sadness,
the afterglow of smiles, the space between applause.


First published in Rattle





April


Barmaids pull green spiral taps,
tippling the bees in swarm
frothing up a golden head of pollen.

O the youthfulness of arrogance.
Blackbirds swap their arcane ciphers,
hacking into the un-redacted news.

Squirrels in fiasco groove the bark
to a barber-pole double helix,
shift a confetti of godsend petals.

Here is the sallow-green heart of things,
sap coursing through like amphetamine,
the sticky truth, its plausible deniability.

The soil steams with overfed grubs,
a richness of embarrassment — on goes
the arms race towards the beating sun.






About The Knowledge by Robert Peake












Publication date: 21st April 2015

Pre-order The Knowledge here.


"The Knowledge is quirky, wide-ranging, luminous and completely enthralling. If there were an A – Z of all the places poetry should take us, this would be it." - John Glenday

Robert Peake’s
incredible eye for detail illuminates a collection of stirring and delicately attuned poems that not only roam but actively seek – travelling to all manner of places but also moving through time, taking leaps of faith or journeys into memory and sensation. These poems refer to a kind of knowledge that isn’t just sought or gained, but is felt and experienced, known in your heart and in your bones as much as in your mind.

From postcards to portraits, from ancient and modern wars to cosmopolitan cities, wildlife, and even a tiny ornamental skeleton, Robert Peake finds a sharp focus for the bigger picture both far and wide and closer to home. These carefully-controlled and eloquent poems know the subtle and deep consequences from each small gesture; the ripple-effect across each story, the altering of lives and history; the still, quiet centre from which it all begins.




Tuesday, 23 December 2014

Nine Arches Press: Review of 2014

What a year it's been! There have been plenty of highlights in 2014, so here are just a few of them from my publishing and poetry year at Nine Arches Press. It has been a really packed year – probably my busiest yet – but it has also felt like a very gratifying year for all the throwing myself into the heart of stuff and feeling much cheered by all the excellent poetry I’ve read and enjoyed and have been so fortunate to have partaken in, edited, published and shared in 2014.



January kicked off with some great live poetry - our first Leicester Shindig of the year, featuring Cathy Grindrod, Lindsay Waller-Wilkinson, Charlie Jordan & Joe Coghlan, all helping us to get the year off to the right start with lively and enjoyable readings. There was also a memorable and rather special evening of poetry at Poetry bites, as Angela France & Daniel Sluman performed to a packed Kitchen Garden Café in Birmingham. After a lot of work over the festive period, I also launched the brand new Nine Arches website and online shop, which has proved to be much more user friendly and popular!

February was a little quieter on the event front, but a hive of activity behind the scenes as the final touches were put to this year’s collections. 

In March, independent publishing was properly celebrated at the annual States of Independence book-fair at Leicester De Montfort – we sold lots of books, as usual, but more importantly had plenty of interesting conversations and a great chance to put faces to names for all those we’ve met online but not in real life. And another great day out was also had later the same month at the inaugural Writing East Midlands Writer’s Conference at Nottingham University, where I provided a series of one-to-ones for  poets to book and ask all those questions about publishing you’ve always wanted to ask but were too afraid to… I hope they proved useful. I’ve been really pleased to see several of those writers now in print in recent months too, which is always heartening.

April came around, and I found myself at the wonderful Wenlock Poetry Festival. Nestled in the Shropshire hills, for one weekend each year this small town is taken over by poets and poetry audiences and all manner of performances, talks and workshops. It was a great chance to catch up with lots of people, but also to make some new friends and acquaintances and enjoy plenty of poetry performances too. Rebecca Goss’ and Helen Tookey’s reading was particular moving and memorable, as was David Morley and Gregory Leadbetter’s outdoor reading at the abbey ruins, where we just about dodged the both the impending rain and the dusk. We concluded our weekend with a Maps & Legends reading, with Jo Bell compering some wonderful readings from Matt Merritt, Mario Petrucci and Maria Taylor that celebrated our first five years in poetry publishing.


May saw the first ‘Towards Poetry Publication’ six-week short course for Writing West Midlands (so popular it was fully booked, and we're now running a second course from 27th Jan 2015). It was also the launch of our Forward Prize-commended debut poetry collection Ways to Build a Roadblock by Josh Ekroy. We headed down to London to launch Josh’s book in a packed cellar bar at the Betsey Trotwood and had a warm reception far and wide for this much-anticipated debut –including requests for signed copies for bookstores! With poetry that is both satirical and instinctively humane, Ekroy has been building a reputation through magazine publication and readings for a number of years. It’s so rewarding when readers take to heart a poet whose work you have also admired and followed – and to see your faith in their work and its distinctive qualities repaid when the books are released out there to find good homes on bookshelves up and down the country. May closed on an especial high point - I spent 31st May at the Sabotage Awards in Oxford, where Nine Arches came away as a prize-winner - Most Innovative Publisher 2014! It's an award that really means a lot to me, as it was voted for by the general public and our readers, and to get that vote of shared love for our books feels important and rather special.

 




June brought us the launch of Richie McCaffery’s Cairn and Markie Burnhope’s Species – two very distinct and exciting debut collections that I was enormously proud to have as part of 2014’s list. From Richie’s brilliantly-detailed and revelatory miniatures to Markie’s sharp and astonishing technicolour focus on otherness and injustice (amongst so much more), there was a great deal to be celebrated here in these two first collections.

In July we had a grand time at Ledbury Poetry Festival It was also (at last) a delightful opportunity to meet poets Bobby Parker, Richie McCaffery and Dorothy Lehane for the first time in real life, after many months of email correspondence and working on their collections, and a proper treat to hear Dorothy, Richie, and Bobby read from their debut collections at the festival. It is often in those first ‘voicings’ that a collection truly comes alive for me. This month also saw the launch of the brilliant second collection from Tony Williams, The Midlands. It’s always a pleasure to work with a returning poet, and a real treat to have the opportunity work with Tony again on a book that touched on so many of my personal favourite themes – ideas of places lost and found, walking and journeying, and of course the Midlands themselves which, characteristically, lurked resplendent, both bashful and beautiful, within the collection’s own marvellous scenery.




August saw a short break in book launches but still plenty of behind the scenes work going on, and plenty of planning as a busy Autumn lay ahead on return form my holdiays!

September was a particular highlight of the autumn, with a lovely day in London at the Free Verse Poetry Book Fair, where we joined with our good friends at Worple Press (Peter Carpenter and Michael McKimm) to give a joint reading outdoors with Matt Merritt and Josh Ekroy representing Nine Arches in the park café, whilst indoors, books sold rapidly and we had a chance to catch up with many of our other fellow publishers and poets. It seemed to be particularly busy this year, and there was a real buzz around the whole fair. Huge thanks to Joey Connolly and Chrissy Williams for yet again putting on a great day, and for the beautiful book fair booklet – which featured a poem by Richie McCaffery amongst many others from each press.

October brought another annual highlight in the form of the Birmingham Literature Festival. A personal favourite among my events this year was out ‘Poetry Afloat’ event at the festival with Jo Bell and Tony Williams joining a (quite literally) captive audience aboard the canal boat Frederick as we toured Birmingham’s inland waterways and saw the city from an entirely new viewpoint, accompanied by Jo and Tony’s poems along the way. Even the Brummagem drizzle couldn’t dampen our enjoyment of this little poetry voyage! This was also a month of frenetic publishing activity – with the launch of three books. First up was A Midlands Odyssey (ten stories re-imagining the Homeric epic as heard recently heard on BBC Radio 4), which is now also available as an eBook. Hot on the heels of this came Dorothy Lehane’s debut poems, Ephemeris and Bobby Parker’s Blue Movie. Whilst taking unique approaches, both Lehane and Parker share the theme of personal territories within their poems. Solidly and deftly written, both also are attuned to the particular music that their poetry requires, an understanding which makes them urgent and unmissable debuts with a great deal to say.






November saw us entering the winter with a flurry of activity. Leicester Shindig! featured wonderful live poetry from Michael W. Thomas, Andrew Taylor, DA Prince and Ben Wilkinson and, as always, an excellent selection of open-mic readers bringing a breadth of subjects and styles to proceedings. I also took part in The Writer’s Toolkit for Writing West Midlands, and enjoyed several informative panel talks and a good end-of-year catch up with lots of regional friends and colleagues – even if it seemed a little incredible that 2014 was already speeding past us and out of our grasp...

December opened with a thoroughly enjoyable day at the Library of Birmingham for the first ever Library Toolkit (convened by the West Midlands Reader’s Network and Writing West Midlands) were I gave a talk on how to work with independent publishers and spread the good why about why indie publishers matter (and what we can offer to libraries that the bigger publishers just can’t). And one last reading – a great evening in the best bookshop in the region, Nottingham’s very own Five Leaves Bookshop. With probably the best poetry section since I’ve seen since (the now sadly-demised) Borders, this bookshop is a real gem and I urge all book lovers to pay it a visit. As well as thoughtfully-chosen poetry and fiction, it has a brilliant selection of political, social and historical and lots of independently-published books that show real, dedicated book-lovers are responsible for this warm, cosy and welcoming bookshop. Bobby Parker, Tony Williams, Dorothy Lehane and Matt Merritt all joined us for an excellent showcase of Nine Arches talent, which (along with the mince pies and wine) was much enjoyed by an appreciative audience. December has also seen the end of a few projects, including one I have worked on with HEARTH over this last year, and also the beginning of several new projects (some of which I can’t talk about yet, you’ll just have to wait and see!).



  




All of which brings me to the end of this round up, and to wish you, our poets, readers and supporters, a very Merry Christmas and a Happy New Year. Here’s to much more great new poetry in 2015, and a happy, healthy and creative year ahead to you all.


Saturday, 6 December 2014

Poetry Series: Nine Arches Press at Five Leaves Bookshop






This weekend, we'll be in Nottingham at the wonderful independent Five Leaves Bookshop, to round off a great year of new poetry with four of our poets - come and join us!

Sunday, 7th December from 4:30 pm - 6:00 pm
Five Leaves Bookshop, 14a Long Row, Nottingham



In the final event in the Five Leaves Bookshop poetry series, join us to enjoy a fine selection of poets from Nine Arches Press:

Dorothy Lehane is an Assistant Lecturer in Creative Writing and PhD candidate in Poetry: Text Practice as Research at the University of Kent. Her chapbook Places of Articulation is forthcoming in November 2014 with dancing girl press, Chicago. She is the founding editor of Litmus Publishing, an Arts Council England funded press exploring the intersection of poetry and science. Her work has recently appeared in Glasgow Review of Books, HARTS & Minds, Tears in the Fence, and Zone Magazine. She has performed her work at various venues in the UK including The Barbican, The Science Museum, The Roundhouse, BBC Radio Kent, Sounds New Music Festival, In The Woods Festival and Canterbury Art Festival. Her Nine Arches Press poetry collection,Ephemeris, is published this October.


Bobby Parker was born in 1982 and lives in Kidderminster, England. Publications include the critically acclaimed experimental books Ghost Town Music and Comberton, both published by The Knives Forks & Spoons Press. His poetry, artwork and photography have appeared in various reputable magazines in print and on-line and he writes a poetry column for The Quietus. His reading style has been described as “Gripping, weird, relatable but alienating, emotional, totally fantastic poetry.”- Café Writers. Blue Movie (Nine Arches Press) is his first full collection of poems.

Tony Williams grew up in Matlock in Derbyshire and now lives in Northumberland. His first collection The Corner of Arundel Lane and Charles Street was shortlisted for the Aldeburgh, Portico and Michael Murphy Prizes, and All the Rooms of Uncle’s Head was a Poetry Book Society Pamphlet Choice. He also writes prose fiction. The Midlands (Nine Arches Press, July 2014) is his second collection of poetry.

Matt Merritt is a poet and wildlife journalist from Leicester. His third collection, The Elephant Tests, is out now from Nine Arches, and previous publications include hydrodaktulopsychicharmonica (Nine Arches, 2010), Troy Town (Arrowhead, 2008), and Making The Most Of The Light (HappenStance, 2005). He blogs at: polyolbion.blogspot.co.uk

Admission £3.00, refreshments available.
Please RSVP to bookshop@fiveleaves.co.uk
Read more about this event here on the Five Leaves Bookshop site.


Thursday, 23 October 2014

Featured Poems: Bobby Parker



Bobby Parker was born in 1982 and lives in Kidderminster, England. Publications include the critically acclaimed experimental books Ghost Town Music and Comberton, both published by The Knives Forks & Spoons Press. His poetry, artwork and photography have appeared in various reputable magazines in print and on-line and he writes a poetry column for The Quietus. His reading style has been described as “Gripping, weird, relatable but alienating, emotional, totally fantastic poetry.”- Café Writers. Blue Movie is his first full collection of poems. 




The Opposite of Excitement


When I was young I frightened
my mother while she was hanging
white sheets on the line.
Ran at her with an evil face,

clawed hands like Bela Lugosi
growling ‘Aaaaaaaaaaaaarrrrrrrgh!’
She jumped, but didn't scream
though almost burst into tears for fear
because I was such a wicked child.

There is a pain for me
thinking of the day I terrified her;
it runs along my arms and into my hands
making my fingers ache.
I think it comes from my stomach.
It is the opposite of flowers and
excitement, it is the opposite
of a day at the beach when she told me
how she met my dad and fell in love.

If I could take it back and replace it,
I would leave a son full of
birthday balloons and small candles
excellent school-reports and pictures
of stick parents on a piece of card
holding hands beneath a crayon sky.
I would tell him how short the time
is we get with mothers who smile.
And he would hang the sheets for her.

And the wind would blow through her hair.
And the wind would blow through her hair.



No Screaming While the Bus is in Motion


It’s true I pulled a wardrobe door
from the firewood pile and painted
a sign: Parker’s Ghost Hunting Agency
in dripping red letters and nailed it
to the fence alongside our house
where passersby pointed and laughed.
Kids threw stones at our windows.
A boy they called Bad Dog
blacked my left eye for lying.
My parents let the sign
stay up for a week
before my dad burned the fucking thing.
It was around this time I started
to think about death a lot, lying
in my imaginary coffin on the sofa,
arms crossed over my chest, holding my breath.
Quoting Freddy Krueger at the breakfast table.
Mum cried. Dad slapped me
and ripped Vincent Price
off my bedroom wall.
Such horrors;
before we moved up the hill
next-door to a girl
with green eyes.




Heartbreak Delirium


My bedroom gathers
night traffic
footsteps through puddles
cars that never stop.

The first dream tells me
sex is a lake full of lost hooks
and headless toys.

The second dream disturbs me
her voice is punk rock
in a valley of pianos.

Listen to my heartbeat, it sounds
like someone throwing tins
of baked beans at an empty wardrobe.

A gate across the street
howls against the padlock.

Like peeling off Elastoplasts
is tonight’s simile
for the sound of tyres in the rain.




Ducks Staring Into You


Ring him. Send him a text; just a couple of lines,
save the rest for Friday. It’s almost pure!
How often do you get pure stuff? Lately it’s been
half washing powder half something that isn’t this.
It’s only six minutes to midnight, you can be in bed
praying for sleep and biting your tongue with apologies
by 3 a.m. Kneel in the bathroom, chop it carefully
with your library card. Snort it off the toilet seat;
glance painfully at your daughter’s bathwater
with blue ducks and yellow ducks staring into you
from bubbles that won’t be there tomorrow.
A bath-time you missed, again. Another day’s bathtub-echo
laughter gone, her two front teeth, golden hair.
Drink everything. Listen to heavy metal music.
Lean forward. Lean back. Sweat. Check your pulse.
Sit down. Walk into the kitchen, turn the light on.
Turn it off. Smoke a roll up in ten seconds in ten-minute
intervals in the paranoid car park. Forget about
your wife’s innocent leg hanging out the bed.
Your daughter, crawling faster with light to hug you
every morning. Every fucking morning. Smell her hair
and tell yourself, ‘This is what makes me happy!’
You liar. You bastard father. You darkness.




Shut Your Mouth


Behind your smile there’s
the kind of broken furniture
you don’t want strangers to fix.

People want your secrets
to trade for more secrets until
the soul is a broken satellite dish.

Pretend your lips
have been glued shut
by a woman with red hair.

Keep the mischievous
flames of their tongues from
peeking into your petrol tank.

Communicate via nods and grunts.
If truth shines out your eyes
wear dark sunglasses.

Cut out your mouth and throw
it off a bridge because it hates you,
it wants to pull you inside out.

When people ask your name
look away, shrug; consider it for
a moment – hold that thought.

























ISBN: 978-0-9927589-7-4
Price: £8.99

A Debut New Poets series collection form Nine Arches Press

Bobby Parker’s poems play truth or dare, baring the soul of the small town blues: undaunted by subject matter and fearless of propriety or prettiness, he writes with dynamic clarity of frightening, lonely places within and without our selves.

In this debut full collection, Parker holds back on nothing – both daringly up-front and utterly candid, Blue Movie veers between disaster, horror, comedy, sex, drugs, love and parenthood with dare-you-to-laugh brilliance. Along with their starkness and mucky-faced honesty, these poems are meticulously crafted, canny, and always one step ahead.

Thursday, 25 September 2014

Featured Poems: Dorothy Lehane




Dorothy Lehane is an Assistant Lecturer in Creative Writing and PhD candidate in Poetry: Text Practice as Research at the University of Kent. Her research explores the perceptual and social experiences of neurological speech conditions, and examines questions concerning cultural encounters and embodied responses within poetic practice. Her chapbook Places of Articulation is forthcoming in November 2014 with dancing girl press, Chicago. She is the founding editor of Litmus Publishing, an Arts Council England funded press exploring the intersection of poetry and science. Her work has recently appeared in Glasgow Review of Books, HARTS & Minds, Tears in the Fence, and Zone Magazine. She has performed her work at various venues in the UK including The Barbican, The Science Museum, The Roundhouse, BBC Radio Kent, Sounds New Music Festival, In The Woods Festival and Canterbury Art Festival. Her Nine Arches Press poetry collection, Ephemeris, is published this October.



STROMEN


begin with STROMEN for what it means to be human
as good enough mother
as early aphasiologists think   
influx because there is no formulaic STROMEN
sing verbs as STROMENTS
you could say that a talking therapy cannot touch this
forcing itself into my purview
shedding avoirdupois
perfect unutterable castration of
blinded by my own STROMEN
arguing about leaving iron scrap out for the travellers
each poem ends with a solo
-do you know how complex iron fusion is
etc etc


Phobos


they may call you aspergic,
statement you, beautiful vacuous child,
sweet old surd, give tapestry answers,
empty eyes, hung up wasteland atmosphere,
hollow conglomerate, what is this façade,
lo, from which contingent? What hell bent
question mark lurks over you, love handle
or lore, equatorial hanger-on huh huh habitat,
siesta until the sun rises, no ball games now




Dimensions


We haven’t said enough of the third dimension;
concealing its neighbours from us
how we grow regardless, lancing incisors
showing breast, mapping sweet epigrams
in this dimension, you tell me the genesis
of your name, oh, lord of Ireland, from stardust
or bombshell, you might see me in essence
watching the drunks in the pub opposite
if it is really really late a commuter
walking home irregular feet for drink
regular feet for ambition

             in a sixth dimension, I am a girlfriend
breathing fire, long hair pointy face, kicked out
from a black hole, in this dimension
we are the sixth universe; January through June,
five careful kernels in the library, you tell me
in this dimension, I am your wife; your third wife
reading poems your first wife hated, much less like you
and your second wife, how, in this poem
I am also android and how, absolutely
like your current wife, or that in-between Virgo
in this dimension, for certain we are involved
in something

             You and I held captive in the ninth dimension;
here before us, watching the flames
spit with a burned refractory, lichen, granite
glassy sand. Over your shoulder shouting a final
post-script, an out of earshot, a sick unsound
and you are a missing, leaving a lingering chroma
motes of dust scattered in the air, like a wrap
of skin cells from cushion chairs in a village hall
after a talk on ornithology



Reader


maybe you’d prefer post mortems
the year we left Mum’s gingham rug out
all night in the long grass,
my sister’s cot-death, the meagremeagre
breeze, my first balloon,
the divorce, my mindless photography
not this clarion stunt dr. persona,
who will validate my science
this pointless manifest
insofar as: have I devalued
the laws and laws, grammatical
science, the rivalry of image
as the crux



Unnova


hidden in plain sight
elusive wink out / inside out
javeline flash
bloated turbulent envelope
elastic gas seems
a phenomena
compared to the quiet
ironing board
the chrome leg isn’t bright
isn’t looping polyphonies
percolating hailstones
local funeral / just going out



About Ephemeris by Dorothy Lehane:






Publication date: October 2014
ISBN: 978-0-9927589-6-7
Price: £8.99

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Read more about Ephemeris

Dorothy Lehane’s debut poetry collection is experimental and exploratory - part daybook, and part astronomical chart, this is a voyage into both the self, the body and the personal as well as into an ever-expanding cosmos of stars, planets and space.

The poems of Ephemeris are fiercely bright and tuned in on a precise, musical wavelength of sound and form. Language, seen here through this particular telescope, is exuberant and numerous with possibilities, gracefully testing its own boundaries. In galaxies of sounds and shapes, Lehane brilliantly takes a giant lyric leap from poem to poem, making for something of a stellar debut.

Praise for Dorothy Lehane: 

"Ephemeris is a stellar nursery for new poetic formations to address our changing perceptions: here, the stars simultaneously twinkle and are giant gas clouds. Renewing lyric's hunger for discovery, for the edge of making and unmaking, they are doubly experimental, yoking Albert Einstein's particles and Gertrude Stein's participles. These poems are colliders as much as star charts: Schröedinger texts, they effect what they document in their 'lexis, praxis… nexus… flux.'"
  – Sophie Mayer

"Ephemeris is a ‘diary’ or day-book, more accurately the Greek word of which the Latin word for ‘diary’ is a translation. Ausonius wrote around 380 AD a poem called Ephemeris describing a day of domestic routine hour by hour. One folio seems to be missing. More locally, it is an astronomical table for determining the position of a heavenly body on a given day. Swim-suit, space-suit. Seismic waves of deviance/ tongue-tied miasma, Dorothy Lehane’s book of this name is an extended metaphor in which the course of a heavenly body through the sky draws after it shifting experiences, in an organism susceptible to the influences of heat and light." - Andrew Duncan